![]() Spanish supernatural horror “Sister Death” is to the 2017 Ouija-board frightmare “Verónica” as “ The Nun” is to “ The Conjuring 2”: a prequel that rewinds decades to locate insidious evils in the seemingly safe confines of the church. Hit “play” and see which bits rattle your bones. Natasha Kermani’s VR-gone wrong “TKNOGD” and Scott Derrickson‘s gruesome serial-killer short round out the affair, even as plodding pacing and a lack of cohesion too often make this sequel more chore than delight. ![]() Nelson’s two-fer shorts “No Wake” and “Ambrosia,” which throw back to totally ’80s summer slashers and home videos only to upend expectations. Bright spots include Gigi Saul Guerrero‘s kinetic “God of Death,” in which practical charms and true-event inspiration collide in a sobering tether to real history, and Mike P. The conceit here still feels a tad random the last two took place in 19 and now here we are in 1985, a setting best exemplified by David Bruckner‘s entry “Total Copy,” a standalone wraparound mimicking a TV documentary taped off the nightly news concerning a mysterious child and a doomed scientific experiment. | AMC+: Included.Īnother “V/H/S” (six feature-length entries have been unleashed since the horror anthology franchise debuted in 2012), another stab at mining the found-footage genre for new angles. As for what happens next, suffice to say Parsons has built another uncanny immersive analog nightmare that drags you in deeper with each impossible second - and confirms his rep as a major talent to watch. In it, a YouTuber descends into the inexplicable underground staircase he found in the middle of a remote park, leading to somewhere eerily familiar yet utterly, terribly wrong. “The Oldest View” is so far told in three parts, the latest of which (“ The Rolling Giant”) runs 46 minutes and notched 1.2 million views in just two weeks. Last year, his liminal creepypasta horrorscape “ The Backrooms” racked up more than 53 million views and earned the attention of A24 and James Wan’s production company Atomic Monster, with whom the director and VFX whiz is now making a feature version. Which is why you should turn off the lights and get lost in the viral CG nightmare “The Oldest View,” the latest cinematic brain-melter from 18-year-old prodigy Kane Parsons. The most-talked-about new horror film of the season isn’t in theaters or on a streamer, but on YouTube. Dreyer’s nightmarish 1932 film “Vampyr” to Kaneto Shindo’s “Onibaba” (1964) and “Kuroneko” (1968) and Nobuhiko Obayashi’s trippy fantasia “Hausu.” And find rare offerings in the 13-title collection of “Pre-Code Horror,” from Tod Browning’s 1932 classic “Freaks” to Michael Curtiz’s 1933 film “Mystery of the Wax Museum,” long thought lost and restored in 2019 to behold in its two-color Technicolor glory. More delights await in the 30-film “Art House Horror” slate of genre classics spanning nearly a century, from the 1922 Swedish silent witchcraft pic “Häxan” and Carl Th. ![]() Dickerson’s “Tales From the Crypt: Demon Knight” (1995) and Michael Tolkin’s “The Rapture” (1991). In the 14-film “’90s Horror” collection, find cult gems like Frank Henenlotter’s “Frankenhooker” (1990), Eric Red’s “Body Parts” (1991), Ernest R. This one’s a bit of a cheat, but you’re welcome in advance: Run, don’t walk, to the Criterion Channel for arguably the best curated streaming horror offerings this season. (Criterion Collection) Literally anything on Criterion right now
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |